Samhain/All Hallow’s Eve Soul Cakes

soulcakes

The Soul Cake is part of traditional Samhain/All Hallows Eve festivities in the British Isles. The cakes are flat and round, scented with saffron, mixed spices and currants.During the 19th and early 20th centuries children would go ‘souling’ on Samhain (All Hallow’s Eve), All Saints’ Day (Nov 1) and All Souls’ Day (Nov 2) where they would request alms or soul cakes with the following song:

“A soul, a soul, a soul cake.
Please god missus a soul cake.
An apple, a pear, a plum or a cherry,
Any good thing to make us merry.
Up with your kettles and down with your pans
Give us an answer and we’ll be gone
Little Jack, Jack sat on his gate
Crying for butter to butter his cake
One for St Peter, two for St Paul,
Three for the man who made us all.”

In earlier times the poor would go to prosperous houses, offering to say prayers for departed loved ones. In return, they were given these round cakes and sometimes food and money as well. Soul Cakes are a wonderful example of a Pagan tradition that made it’s way into Christianity virtually unscathed. If you’ve never made them before, they are absolutely delicious. Here is my favorite recipe for Soul Cakes. They freeze well so you can make them ahead!

Soul Cakes
For the dough:
2 cups all-purpose flour
1/2 teaspoon nutmeg, ground fresh if possible
1 teaspoon cinnamon, ground fresh if possible
1/2 teaspoon salt
1/2 cup milk
1/2 tsp of saffron (optional)
1 stick (8 tablespoons) unsalted butter, softened
1/2 cup sugar
2 egg yolks
1/2 cup raisins (or currants if you are able to get them)

For the Glaze:
1 egg yolk, beaten

Preheat oven to 400 degrees.

Combine the flour, the nutmeg, cinnamon and salt in a small bowl. Mix well with a fork.

Crumble the saffron threads into a small saucepan and heat over low heat just until they become aromatic, taking care not to burn them. Add the milk and heat just until hot to the touch. The milk will have turned a bright yellow. Remove from heat.

Cream the butter and sugar together in a medium bowl with a wooden spoon (or use an electric mixer with the paddle attachment). Add the egg yolks and blend in thoroughly with the back of the spoon. Add the spiced flour and combine as thoroughly as possible; the mixture will be dry and crumbly.

One tablespoon at a time, begin adding in the warm saffron milk, blending vigorously with the spoon. When you have a soft dough, stop adding milk; you probably won’t need the entire half-cup.

Turn the dough out onto a floured counter and knead gently, with floured hands, until the dough is uniform. Roll out gently to a thickness of 1/2 inch. Using a floured 2-inch round cookie or biscuit cutter, cut out as many rounds as you can and set on an ungreased baking sheet. You can gather and re-roll the scraps, gently.

Brush the souls cakes liberally with the beaten egg yolk.  Add currants in the shape of a cross and press them firmly into the dough.  Bake for 15 minutes, until just golden and shiny.

Makes 12 to 15 cakes. Copyright ©2026 by David Taliesin, http://www.sabbatsandsabbaths.com

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Samhain/All Saints: The Great Cloud of Witnesses

greatcloud

Therefore, since we are surrounded by so great a cloud of witnesses, let us also lay aside every weight and the sin that clings so closely, and let us run with perseverance the race that is set before us. [Heb 12:1. NRSV]

As we approach the celebration of Samhain as well as All Saint’s Day, I love the term the writer of Hebrews uses to describe those who have made the transition from our world to the next. The “great cloud of witnesses” in Hebrews are those who sit in the eternal stadium seats, cheering us on, as we “run with perseverance the race that is set before us.” I have always found this image to be rather comforting. It reminds us that the blessed dead still have a role to play in our lives as a source of wisdom and strength.

So who makes up this great cloud? One of my mentors, Byron Ballard, gave three distinctive classifications of the blessed dead in a class I attended. In looking at each, I hope it expands our understanding of who makes up those we label as our ancestors.

ANCESTORS:People in your direct bloodline who are dead.

BELOVED DEAD:People you honor who are not your ancestors who are also dead.

MIGHTY DEAD:Those you claim and honor as your ancestors. Heroes, writers, warriors, people who inspire you who, again are dead.

On my ancestor altar this year there are a few that fall into each category. I have pictures of my Ancestors such as my great-grandfather and his family. I also have pictures of the Beloved Dead such as dear friends who are no longer with me. Finally, this year’s Mighty Dead include Scott Cunningham whose magical work continues to resonate with me and inspire me and Tich Nat Hahn who passed away since last Samhain. His spiritual as touched many and helped us to become better versions of ourselves.

Everyone’s great cloud of witnesses is different, yet each of us has people who continue to inspire, challenge and comfort us even thought they are no longer with us. Who are the Ancestors, Beloved Dead, and Mighty Dead you are honoring this Samhain/All Saint’s Day?

Copyright ©2026 by David Taliesin, http://www.sabbatsandsabbaths.com

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Hunter’s Moon: Sunday, October 25, 2026

full_hunters_moon-resized

According to the Farmer’s Almanac, the Algonquin Native American tribes referred to October’s full moon as the Hunter’s Moon because it was time to go hunting in preparation for winter. As the days grow visibly shorter, perhaps we can use this full moon to contemplate what resources we need in order to make it through the approaching winter season.

We can think of this preparation as either literal or metaphorical. Some of us have Seasonal Affective Disorder (SAD) and have to surround ourselves with the people and coping skills we need in order to keep us healthy. Others are feeling like they’re slipping into a winter season of their lives. If this is the case, be intentional about doing what you need to do in order to keep yourself strong and grounded.

Since, the veil between the worlds is also thin this time of year, it’s the perfect night to seek the wisdom of our Ancestors and Beloved Dead who can help us to navigate the perilous journey ahead. Candles, mugwort, marigolds/calendula, pictures, etc. can help us draw closer to those on the other side. We all need to feel their love and encouragement in this stressful and angry world.

So, put the energy of this season and this powerful moon to good use. It truly is the most wonderful time of the year!

Copyright ©2026 by David Taliesin, http://www.sabbatsandsabbaths.com

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Rewilding Jesus

I have some big news to share. The reason why I haven’t been posting for a while is because I’ve been working on writing my first book and it is finished! The edits have also been done and I’m working with the publisher on the formatting. The picture below is a very rough sketch from an artist friend of mine who is designing the book cover. It’s entitled Rewilding Jesus.

If you’re curious about the content. Here’s the book description from the back cover of the book. I hope it have it available for sale in January 2027.

Here it is:

What happens when we take Jesus out of the church building and encounter him in the wild?

Rewilding Jesus explores the deep connection between Jesus and the natural world by journeying through the Wheel of the Year and the four paths of Creation Spirituality: darkness and letting go, awe and delight, creativity and imagination, and justice and compassion. Through Scripture, early Christian writings, personal stories, and earth-centered spiritual practices, David Taliesin invites readers to encounter a Jesus who speaks through seeds and soil, birds and trees, changing seasons, and the rhythms of the Earth.

Written for Christians seeking a deeper connection with nature and Pagans who may be curious about the wild side of Jesus, Rewilding Jesus offers fifty-two weekly reflections for anyone longing for a spirituality that is rooted, expansive, and alive.

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Lughnasadh: Origins to Modern Celebrations

In my last post, I cleared up a common misunderstanding about Lughnasadh. After consulting multiple reliable sources, I’ve come to the conclusion that, according to early Irish tradition, it was Lugh who created the festival to honor his foster mother, Tailtiu. She was a descended from the Fir Bolg—the mythical early invaders of Ireland—who were later conquered by the Tuatha de Danann. Lugh himself was a descendant of the latter.

One of the best descriptions of the early festival comes from Lucas Russo in Uncovering Celtic Mythology, “Lughnasadh marks the beginning of the harvest season. The day was celebrated through sport and craft. It was also a time of love; many people would be joined n engagement and handfasting ceremonies, where lovers would be united in marriage or prepare for a year and a day engaged. Observers feasted and celebrated, some making it a day of travel and spiritual pilgrimages.”

Llewellyn’s Sabbat Essentials: Lughnasadh offers more interesting details: “In The Festival of Lughnasa, Mary MacNeill’s comprehensive study of traditional Celtic Lughnasadh customs, the author concluded that the festival most likely originally consisted of a mix of ceremony, feasting, and ritual theatrics, usually held on hilltops or waterside. There was likely, according to the author, a ritual in which the first fruit from the grain harvest would be brought to the top of a hill and buried as an offering.”

Other elements associated with Lughnasadh include:

  • A bull sacrifice and a ceremony involving the animal’s hide (with the meat eaten later at the feast)
  • A ritual play retelling Lugh’s triumph over bight or famine
  • Climbing hilltops to pray and gather bilberries
  • Horse racing and even horse swimming
  • Games of hurling
  • Assembling at lakes or holy wells

Naturally, the exact content of the festival likely varied from one community to another, depending on local resources and traditions.

As Christianity spread throughout Ireland, Lughnasadh celebrations were altered but not erased. James MacKillop, in A Dictionary of Celtic Mythology, explains: “The Christian Church did not oppose the continuation of the festival marking the beginning of the harvest and the weaning of calves and lambs, but the different names applied to it obscured its Pagan origin. Eventually it broke away from its fixed time of August 1, and might include many days, especially Sundays, from July 15 to August 15.”

In a recent podcast, Jon O’Sullivan from the Irish Pagan School noted: “The first Lughnasadh games may have been held as far back as 1600 BCE. But we know that there are records of Lughnasadh games being held between the 6th and 9th century in Ireland…It fell out of use post-Norman invasion which is in the 11th to 13th century.”

The games were briefly revived in the 19th century, but political disputes weakened support, and their popularity faded once again.

Fast forward to 2025, and we find ourselves with a rich heritage to draw from as we reimagine what Lughnasadh looks like for a modern Pagan audience. There are countless resources online, but here are a few simple ways to celebrate:

  • Bake fresh bread from scratch and serve it with a hearty dinner.
  • Craft a wheat straw or corn husk doll for your home altar.
  • Invite your friends over for a night of board games.
  • If you can’t find bilberries where you live, try making a blackberry cobbler.
  • Spend time reflecting on what you would like to “harvest” in this season of your life.
  • Since it’s the grain harvest, beer or ale makes a fitting celebratory drink.

Lughnasadh reminds us that every harvest is both a communal and a personal act. The ancient games and rituals may look different from the ways we celebrate today, but the heart of the festival remains the same: gathering together, honoring the fruits of our labor, and giving thanks for the abundance that sustains us.

Whether you celebrate with food, craft, games, or quiet reflection, Lughnasadh invites us all to pause and notice the gifts in our lives. May this season inspire you to share generously, live gratefully, and step into the next turn of the year with joy and intention.

Blessings, David Taliesin, http://www.sabbatandsabbaths.com

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Is Lughnasadh Really About Lugh?

Today I was listening to a podcast by Jon O’Sullivan from the Irish Pagan School entitled “Is Lughnasadh really about Lugh?” I had always heard that the day was meant to honor the sun god Lugh. However, O’Sullivan set the record straight.

It’s true that Lughnasa is the Irish word for August, and it also a refers to the Lughnasa games or the harvest period in Ireland’s ancient cycle of festivals. But according to O’Sullivan, the Lughnasa games were created by Lugh to honor the death of his foster mother, Tailtiu.

In one of the old Irish tales, Tailtiu takes Lugh into foster care. She herself was not of the Tuatha Dé Danann, like Lugh, but a Fir Bolg, married to the Fir Bolg chieftain Bregon.

Morgan Dailmer echoes O’Sullivan’s perspective in Pagan Portals: Gods and Goddesses of Ireland: “In Old Irish the word Lughnasadh means ‘funeral assembly of Lugh,’ named not for Lugh himself but but for his memorializing of Tailtiu. Later the word shifted to Lughnasa, and the meaning changed as well to ‘games or assembly of Lugh.'”

Similarly, Llewellyn’s Sabbat Essentials: Lughnasadh explains that the holiday is referred to as “Lugh’s funeral games held in honor of his stepmother Tailtiu. Tailtiu was the wife of the last king of the Fir Bolg. When the Fir Bolg were overthrown, Tailtiu remarried to one of the new ruling class, the Tuatha de Danann. According to legend Tailtiu died of exhaustion after cleaning the fields of Ireland for agriculture, and Lugh initiated the Fair of Tailtiu in her honor as a wake fair including feasting, games, and sports.”

So, I stand corrected. I went back and revised some of what I had previously written about Lughnasadh. I deeply appreciate the scholarship from the Irish Pagan School and highly recommend checking them out if you’re interested in accurate insights into Irish mythology and Irish Pagan spiritual practice.

Blessed Be, David Taliesin, http://www.sabbatsandsabbaths.com

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Runes for the Green Witch

There are lots of rune books out there, most of which rehash the same material over and over again. Trust me, I’ve read them all. However, a small number rise above the rest, and Runes for the Green Witch by Nicolette Miele is one of them. (See the rest on my Norse reading recommendation list).

It’s clear that Miele knows her subject matter very well. The introductory material is clear, concise, and sets the stage for the rest of the book, which explores the Elder Futhark runes one by one. In each entry, she not only discusses the energy of the rune but also grounds it in Norse mythology which I think is essential. Although her interpretation of several runes differs slightly from my own, she gave me plenty of food for thought and may even inspire me to revise my understanding of them. I believe that one’s connection to the runes is deeply personal, and as a result, our interpretations may vary. Miele makes a convincing case for her understanding of each rune and consistently explains how she arrived at her conclusions.

The second part of each rune entry includes a correspondence table, along with herbs that align with the rune’s energy. As someone with training in herbalism, I appreciate that Miele discusses not only the energetic and magical properties of herbs but also their also medicinal uses. It strikes the perfect balance of the two. Furthermore, many of the plants she includes are ones I frequently work with, so it was a delight to see them explored in this manner.

The appendix is also a welcome addition that helps tie everything together. Miele includes recipes for incense blends, tinctures, oils, teas, sprays, and bath blends, with at least one recipe for each rune. While it leaves the reader wanting more, it also provides an excellent starting point for exploring these herbs and their connections to the runes.

I cannot recommend this book highly enough. Miele demonstrates a remarkable mastery of her subject matter, and I am certain I will return to this book again and again.

Copyright ©2026 by David Taliesin, http://www.sabbatsandsabbaths.com

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The Avian Oracle

When it comes to oracle decks, I’m super picky about them—and you should be as well. This week, Crossed Crow Books sent me a copy of The Avian Oracle and I’m happy to report that I’m absolutely delighted with it. The Avian Oracle is a 45-card deck accompanied by a 138-page guidebook.

The guidebook was written by Sandra Kynes, whose work I was already familiar with. She is the editor of Llewellyn’s Complete Book of Correspondences, a volume I’ve turned to many times in my spiritual practice. Because of this, I had high expectations for the quality of the writing, and she definitely did not disappoint. For each bird in the deck, she includes magical correspondences, folklore associated with it, and possible ways to interpret it in readings. Her introductory material—including suggested spreads and an historical perspective on birds in magic and ritual—is also well written. It provides a solid introduction for those who may not have used an oracle deck before, which is always helpful to include.

The cards themselves were illustrated by Gianna Rini in a simple, clean collage style which suits the deck well. The basic design of each card is consistent, which helps give the deck a unified feel. The color choices are lovely as well, making the cards especially pleasing to the eye.

From the moment I held the deck in my hands, I loved the size and weight of the cards. They were easy to shuffle, and after a quick cleansing, I set to work using them. I did a one-card pull for both myself and my husband and, not surprisingly, the readings were very accurate.

I’m sure The Avian Oracle will be a deck I return to again and again. There is a great deal of wisdom to be gleaned from these cards, no matter what spiritual path you practice.

Blessings, David T, http://www.sabbatsandsabbaths.com

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The Art of Incense Making

If you’re interested in crafting your own ritual incense, then Carl E. Neal is the person to learn from. On YouTube, he’s known as The Incense Dragon, and I’m grateful a friend recommended him to me. His videos are loaded with practical instruction on how to make incense, along with its history and magical uses. It’s clear he has dedicated his life to this art form, and I’m thankful he’s willing to share so much knowledge with those who seek it out.

I recently ordered his book Incense: Crafting and Use of Magickal Scents, which is a master lass on the subject. It contains everything you need to know about incense making—and more. The recipe section alone is worth the price of the book, and the depth of knowledge he shares with his readers is astonishing. I can’t image there’s a better book out there on the subject.

While watching some of his videos, I learned that his production studio was destroyed in a fire caused by a lightning strike. He considered giving it up, but fortunately for us, he rebuilt the studio and is back in business. He sells a wide range of products including incense-making kits, supplies, cone molds and more. If you’re able, show this guy some love and support his business. I recently bought a cone mold from him and absolutely love it.

Blessings, David Taliesin

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The Truth About Aging

I just watched a powerful video from Freyia North of Norway on YouTube. Her words are always inspiring but this video really moved me. Here are a few quotes from it:

Aging is not about losing power, it’s about relocating it. In old coastal communities elders were not asked to lift the heaviest nets. They were asked where to cast them.—Freyia, North in Norway

Youth is full of future. Midlife is full of of memory. Memory can feel heavy. Regrets surface. Roads not taken glow brighter. Bodies remind you of a time. But memory is also compost. In the North when something died it was not discarded carelessly. Even bones had purpose. Tools were shaped from them. Meaning was carved from what remained. Aging is bone work. You begin carving meaning from what has already happened, and that can be confronting because it asks “What do I still want to build with the time I have left?” not in panic, but in clarity.—Freyia, North in Norway

You are not meant to feel the same forever. Culture sells sameness as success. The North teaches adaptation as wisdom. An elder once told me that aging is when the marrow begins to speak louder than the skin. There is power in that shift, deep power.—Freyia, North in Norway

If you’re interested in watching the video, here’s the LINK

Blessed be! David T.

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